Flatfile Collection

Artist Statement

For the last 20 years, Jennifer Zackin has been integrating public art, sculpture, installation, performance, collaboration, ceremony, photography, video, collage and drawing into acts of reverence and reciprocity. Whether wrapping trees in patterns of brightly colored rope, growing medicinal herbs in a public garden for public use, offering large masses of rose petals to oceans and lakes, creating absorbent tentacles (“hair booms”) out of salvaged materials to aid in the clean-up efforts of toxic spills, Zackin seeks to engage and create community in her process, bringing art and ritual into everyday life. Every act is an exploration of exchange, communion, performance, skill-sharing and mark-making.

Writing in a catalogue essay about her work Lori Waxman states: “Jennifer Zackin has worked with rose Petals, little plastic cowboys, pre-Columbian symbols, bright handmade pom-poms, cheap mass-produced posters, coca leaves, and her grandfathers old Super-8 home movies. How she weaves them into rhythmic, often meditative forms depends in great part on the underlying pattern that she is able to detect and orchestrate among her diverse materials.”

Her work has been exhibited in national and international museums, including the Whitney Museum of American Art NY, Aldrich Museum of Contemporary Art CT, Artspace New Haven, CT, Spertus Museum – Chicago IL, Rose Museum MA, the Wexner Center for the Arts OH, Contemporary Art Museum – Houston TX, The Henie Onstad Kunstsenter, Høvikodden – Norway, Institute of Contemporary Art – Boston MA and the Zacheta National Art Gallery – Warsaw, Poland. Commissions include Governors Island NYC with LMCC, Katonah Art Museum NY, Socrates Sculpture Park LIC – Queens NY and the Berkshire Botanical Gardens – Stockbridge, MA. She is the recipient of fellowships and residencies, including Factory Direct at Pinchbeck Rose Farm, Art Omi, Atlantic Center for the Arts and the Skowhegan School for Painting and Sculpture.